A journalist knows more about a grizzly murder than is good for her. All her evidence points toward a mysterious millionaire but no one will believe her.

当他的阴茎被鳄鱼咬掉时，塔兹求助于旺戈部落的魔法力量。

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

当他的阴茎被鳄鱼咬掉时，塔兹求助于旺戈部落的魔法力量。

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

The agony and beauty of the creative process are explored in this reflective work, first inspired by a piano solo by Yo La Tengo’s Ira Kaplan, which reminds us that the act of creation can feel like “cracking the code in another dimension.”

A zombie outbreak has fallen upon the land in this reimagining of Jane Austen's classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry and the handsome Mr. Darcy is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield in order to conquer the undead once and for all.

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.

In ‘Images de Tunisie’, Younes Ben Slimane returns to the locations where an archive film of the same name was originally shot by French colonialists in 1940s Tunisia. A minimal approach that Slimane – who is also trained as an architect – uses as a counter-narrative, dissolving the historical markers between past and present with his tactile images. The archive material, originally created for propaganda purposes, is intercut with Slimane’s own footage from the same sites of traditional architecture in Berber villages in southern Tunisia.

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.